BLUE VALENTINE: PLEASE BE MINE

Dean: In my experience, the prettier a girl is, the more nuts she is... which makes you insane. You're probably nutty coo coo crazy.

This is not your typical love story. It's a crazy roller coaster ride where there is mad crazy passionate love, mad crazy scary vulnerability;love lost and love found. This film follows this crazy dysfunctional passionate relationship between married couple Dean (Ryan Gosling) and Cindy (Michelle Williams) as they struggle to remember what brought them together in the first place and what keeps them together now. Undoubtedly, there is a ton of chemistry between Gosling and Williams. This story is that they moved into this house together and lived for a month before shooting the film. In addition, a great deal of the script was improvised which made it obvious how connected these two people were. The movie flashbacks to when the couple first met and the crazy things they did in the name of love and contrasts that with their routine married life,which didn't turn out exactly how either of them had planned. Gosling is magical. He shows both a vulnerability and assured bravado. Williams, is both alluring and tired of having to be the adult in the relationship. I guess that's why they say for better or for worse. Overall, a well done film. 

THE ROOMMATE: LOVE HURTS... AS DOES MENTAL INSTABILITY

We have already seen this before, most closely resembling Single White Female, but this one is for the new, younger generation and it's nowhere near as good. Small-town girl Sara (Minka Kelly) is new to UCLA in Los Angeles. She is pretty and social and returns back to her dorm room only to meet Rebecca (Leighton Meester) while drunk and about to toss her cookies. Maybe if she stayed drunk, none of this would have happened. But, Rebecca integrates herself into Sara's life and pretty soon is lying and "fixing" things for her. [Note to self: turn off film when cute kitten or puppy is introduced.] The only highlight in this film for me was Billy Zane, Sara's smarmy professor. After all, how can one not think of fashion and Billy Zane, especially after Zoolander?! Even so, he wasn't enough to save this film. The acting was vacuous as were the female leads. You were given advance warning when most of the scary parts were coming and you could predict the others. This was maybe the worst film I've seen all year. Be sure to run right out and rent something else!

WELCOME TO THE RILEYS... NOT YOUR TYPICAL FAMILY

James Gandolfini is a talented actor. He can portray the tough mobster who could kill you for messing up his sandwich order just as easily portray the grieving father who, when meeting a young woman who reminds him of his deceased daughter, decides to give her some guidance and help while asking nothing in return. Kristen Stewart is that young woman who is of course young, naive and a "dancer" who entertains men like him to make a living. She's typically hardened at a young age and obviously skipped her adolescence in order to survive on the streets. Like a feral animal, she reluctantly accepts his help and then grows to enjoy both the company and the improvement he brings to her life. Oh, did I mention he's married? His wife (Melissa Leo) has been mentally fragile and house bound since her daughter's death but finds the strength to find her husband at his out of town "conference" only to find he ditched it in order to help the girl. Rather than storm out and accuse him of wrongdoings, she decides to stay and help and gets to use her dusty mothering techniques. They all need each other and get their needs filled just enough to continue on in this game we call life. Strong performances by all. Broken people trying to put themselves back together. Married people working together rather than attempting to deal with their grief separately. A strong film, unexpected and attention grabbing.

BURIED:  OPEN THIS ONE FIRST!

Dan Brenner:

that your ransom video already has 47,000 hits on YouTube.

 I always thought hell was being stuck on a phone tree or waiting in line at the supermarket while somebody has to do a price check, but it's not... hell is waking up in a plain wood box having been buried alive after having been taken captive in Iraq. Paul Conroy (Ryan Reynolds) is an American truck driver working in Iraq in 2006. He's taken and buried in a shallow grave with a cell phone, lighter, a flask of booze, flashlight and little else. He soon finds out the specifics of how and why he is there and has to come up with a million "money" to pay his random. Along the lines of 127 hours, this is a one man show and Reynolds does a fantastic job with it. This time, however, Conroy is able to use his cell phone and reaches out to many different people, bringing both humor and more terror to the situation. What makes this more scary than a slasher flick to me is that it could really happen. Needless to say, claustrophobics need not apply! The most suspenseful are the last 10 minutes, which I will not elaborate in order to keep some surprises secret. I almost didn't watch this one, but I'm glad I did. It was well done.

THE KING'S SPEECH: (one of the) BEST FILM 2011

King George VI: If I'm King, where's my power? Can I form a government? Can I levy a tax, declare a war? No! And yet I am the seat of all authority. Why? Because the nation believes that when I speak, I speak for them.

But I can't speak.

Oscar award winner for the best film of 2011, the King's speech has everything that a movie of this caliber could ask for. It is hilarious and tender all at the same time, focusing on George VI (Colin Firth in the absolutely flawless performance) who, for lack of a better phrase, needed to step up to the plate and lead his country in their time of need. His headstrong wife, also played to perfection by Helena Bonham Carter, after numerous attempts to cure the King's persistent stuttering problem, finds, for lack of a better word, a commoner embodied by Geoffrey Rush, who uses an orthodox measures to get the King settled in his role as commander of a country. These two men, embark on a journey together and although Carter is along for the ride, a partner to her husband as any strong wife would be, at its heart this is the story of a man who must overcome more than just a studder and in the wake he builds a lasting friendship, both men showing that they have both wise hearts and minds. This film has it all, drama, comedy, tension, suspense, and a triumph of the human spirit. This was perhaps the safer choice to win best picture of the year over The Social network,but do not let that take anything away from such a masterpiece of a movie. I think my only criticism, is that Geoffrey Rush was robbed of this Oscar-winning performance. He is magic. However, there is no doubt that this is Colin Firth's film. However stodgy it may appear, this movie is certainly not, and is one definitely not to miss.