TRUE GRIT A TRUE MASTERPIECE

December is my favorite movie watching month. Usually all the best films are released for the holiday season, a way to get Oscar minded folks to keep these films fresh in their minds. More than likely, True Grit didn't receive the accolades they deserved because the Coen brothers restyled the 1969 John Wayne True Grit. It's not a remake. The dialogue is fresh and snappy, what the Coen's are best at and the plot, while still following the original, has twists and turns that are brilliant. This was the ONLY movie this season that I both laughed and cried at; mind you, gut busting laughter. It's basically a story set in the wild old west where a young woman (a phenomenal Hailee Steinfeld) has "hired" a bounty hunter (an outstanding Jeff Bridges)  to find the man who killed her father; classic tale of revenge. What isn't classic, is the bond formed between this "colorful" character and this wise-beyond-her-years young girl. Sprinkle a little Matt Damon and Josh Brolin in and call it a party! There is comedy, drama, suspense and touching human interaction. What more could anyone want in a film?Watch the end credits where Buster Coen, Ethan Coen's son, is listed as "Mr. Damon's abs double". In reality, he was an on-set assistant to the script supervisor.

THE KILLER INSIDE ME: Who knows what evil lurks inside the hearts of men?"

A small town with a big problem. Hidden under it's apple pie, please and thank you exterior is a dirty, horrid little secret. Mild mannered Loud Ford (an awesome Casey Affleck) is a seemingly upstanding officer of the law doing what he does until an off beat encounter with a local prostitute, Joyce (an amazing Jessica Alba) slaps his head and seems to jiggle loose prior years of abuse and deviancy. We watch slack jawed while this upstanding man turns into a sexual deviant and criminal out for revenge and the hole gets dug deeper and deeper every minute. Be warned that the violent scenes are not just violent, but gruesome and disturbing. His "best gal" Amy (an extraordinary Kate Hudson) stays by his side despite any misgivings and is paid in full for her loyalty. There were no bad actors in this one. Every one gave a solid performance, different from my preconceived notions of them. This was a serious thriller and there is no way to describe the ending as less than explosive. Some scenes in this movie were ice hot and so sexually charged it seemed to walk a fine line. Other scenes were so gruesome and horrible that it felt more like a well made horror film; but this horror was beyond blood and guts. Surprisingly, even though disturbing, it was wrapped with such a pretty bow that contained it just enough to keep things from going over the top. The violence wasn't random and it made for a compelling character with Lou. I thought this was well done across the board and kept the balance just right. A very good movie.

KICK ASS: KICKS

Dave Lizewski: Like most people my age, I just existed.

Who doesn't fantasize about being a superhero; kicking ass, taking names, having a secret identity? Well, nerdy geek Dave Lizewski (Aaron Johnson: look for this BRIT in the biopic of John Lennon, Nowhere Boy) does one better and actually decides to not just sit by and watch bad things happen. He creates a "super hero" with costume and everything. Thing is, he doesn't have any special training or skills so on his first venture out, he pretty much gets his ass kicked, hence the nickname "Ass Kick". The one who gives him that name is Big Daddy (Nicolas Cage) who ends up stepping in, dressed in his Batman gear, with his best Christian Bale bat voice and saving Dave's behind. The most controversial addition to the mix is Hit Girl (Chloe Moretz) who is Big Daddy's daughter, programmed and trained as an assassin in efforts for her father's big revenge scheme. Her foul mouth and ability to kill without blinking is a BIG upset in the movie genre. While there is the comic relief, this film walks a fine line between comedic drama and dark action flick. Poor "17 forever" Christopher Mintz-Plasse offers a light touch with his own addition to the unequipped super hero as Red Mist and makes for a funny driving sequence with Kick Ass. There is no dispute that Hit Girl steals the show. They way she does it is dark and disturbing and equally compelling. She is my new hero. Of course production has begun on the sequel and it will be interesting to see where they go next. Hands down, my new favorite movie; funny, exciting, dramatic and full of action.

THE ACCIDENTAL HUSBAND: A BRIDE OF A DIFFERENT SORT

My favorite sort of films are usually dark, psychologically prompted thrillers. However, that's not to say there is never any room for brain candy, which is exactly what this film is. Uma Thurman is Dr. Emma Lloyd, a radio talk show guru who pontificates about the ways of love and relationships with a loyal following. Emma herself is on the brink of marrying her successful boyfriend (Colin Firth) when they discover she is already married (gasp!). She finds her "husband" Patrick Sullivan (Jeffrey Dean Morgan) a handsome and sexy firefighter who set this whole plan in motion as his way to seek revenge on the person who advised his once fiancee not to go ahead with the wedding. He is rough and tumble and has his fun with her, abusing her manners and good breeding. It comes down to real love versus romantic love, passion versus safety. Uma is a good comedian. She literally kicks ass as the bride in Kill Bill, and now she figuratively kicks ass as a well meaning, confused, woman who just wants to find love and live happily ever after. Morgan is the reason I would set fire to my house knowing he would come to the rescue. He is funny and very desirable. As for the cheese ball ending? I loved it! 

Big bite: Underrated movie, enjoyable and fun, romantic and gushy.

LAW ABIDING CITIZEN: REVENGE IS BEST SERVED COLD... BRRRRR

Not the most believable movie, but when has that stopped anyone before? Poor Clyde Shelton's (Gerard Butler) home is invaded by two low life scums who leave him for dead after brutally killing his family while he watches. Assistant District Attorney Nick Rice (Jamie Foxx) cuts a deal with one perp while the other is sentenced to death by lethal injection. This does not sit well with Shelton, who then takes the business of vengeance into his own hands. Even while in police custody, his plans for revenge continue and are mysteriously carried out. Shelton wants everybody to die and he does a pretty good job of making that happen. This is a classic case of planning where the criminal is always one step ahead of the law. This also makes it hard to believe it could actually happen, but I suppose that's what movies do, suspend our reality for a few hours.

THE BRAVE ONE

THE BRAVE ONE REDEFINES WHAT A HORROR FILM IS
At first glance, even at second glance, I wouldn't imagine that anyone would classify this film in the "horror" genre. Horror now means guys in masks chasing stranded, scantily clad hitchikers in a creepy old mansion. THE BRAVE ONE is the worst kind of horror film because it sets up a scenario that is real and believable and horrible to witness. One minute NPR talk show host Erica Bain (Jody Foster) is alive; really alive. Her big blue eyes twinkle and pure joy and love seep from her every pore. One violent night she and her fiancee are attacked and we bid a fond farewell to those twinkling peepers. This of course is the straight set up for a revenge movie; however no one expects that a woman would react in the way Bain does. Men take their anger out, women suck it in, but not this time. What's best about her character is that noticable difference between the "old" Bain and the new hurt, grieving ready for blood Bain. The portrayal and the film are raw and gritty and dirty and very, very real. She doesn't break down (like other women might do in this type of film) she fights to hold on to a life that only now resembled hers. Foster is gold. She owns the role and those blue eyes were put into full force. Next to her, the compassionate soul trying to figure it all out is Detective Mercer (Terrance Howard). Again, he keeps it real, believable. He is no "super cop" and doesn't have to rush to Bain's aid. I was disappointed by the ending. It really turned a fierce corner that didn't feel in character, particularly with Mercer's. That being said, this is a extremely well done movie with talent, feeling and best of all believability.
Pick: Incredible well done film all around; conflicted ending worth the whole soul of the film.